Aaron Nazrul
Aaron Nazrul is one of Vancouver's brightest emerging musical talents, a world traveler and folk singer with the voice of a future classic. Aaron's music captures the raw emotion of Ben Harper and the cultural diversity of Manu Chao, with a unifying philosophy inspired by the poet Nazrul: "I don't belong to just this country, this society. I belong to the world."Aaron first performed his music internationally at the Edinburgh Festival in August 2007, winning critical acclaim and the hearts of fans from all over Europe. He was hailed as "the Golden Voice of the festival" by Festival FM, who frequently invited him to perform songs live on the radio.
Known to his friends as Aaron Ross, Aaron got the nick-name Nazrul when he was living in Montreal for a year as part of his travels. His Bangladeshi friends said he reminded them of Kazi Nazrul Islam, the "Rebel Poet of Bangladesh", so Aaron took it as his singing persona. Click here to learn more about the original Nazrul.
The debut album from Aaron Nazrul, "Butterfly Man", is set for release on December 4th from Lit Fuse Records. Aaron wrote the album while traveling in Southeast Asia, riding his motorbike around Laos, Cambodia, Vietnam, China and Thailand. The local flavours and impressions from each culture have been absorbed into the song-writing, creating a record that is deeply personal but also 'of the world', a journal of life's constant metamorphosis. "Butterfly Man" is a slang term in Asia for a restless soul, someone who constantly moves from place to place, or from person to person. The title track says it all: "Today I'm yours, but tomorrow when I'm gone, you'll understand." Check It Out!
Aaron Nazrul - Take These Chains
Aaron Nazrul - Delivered
Aaron Nazrul @ MySpace
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"Mutiny on Mercury", the first "real" state of Samuel fullength was released in 2003 on Strings of Nashville(Sweden) and Humblebee recordings(Canada). December 2004 also saw the release of another affiliated release: The Estate of Samuel »Fast Love« on bedroom recordings. In april 2005 Kittridge Records released the compilation Homemade Hits vol.2 which featured the song "Square Roots". This was the first release in over 2 years from the state of Samuel.
McCauley takes his cues from legendary songwriters such as Townes Van Zant, Neil Young and Ritchie Valens, and big stage personalities like Sammy Davis Jr., and Tony Bennett. His influences are something that sets his live shows apart from most other acts. The Deer Tick experience is something that can be fun and heart wrenching at the same time. The performance is usually riddled with jokes, but always with a genuine and serious message that is delivered sincerely to the listener. You might just have to go and see it to fully understand it.
And while this is quite the departure for Arnusch, who is more used to pounding out labyrinthine experiments behind the kit for Faunts and 80's-minded melodrama with the Floor than such lovely sock-hop simplicity, his experimental sensibilities still peek through on the Whitsundays' self-titled debut album. In fact, these curiosities and quirks are perhaps the album's strongest suit, tugging a set of super-sweet diner pop through the ages, and somehow updating it along the way.
In 2004, Heath Dupras stepped from behind the drums of The Washdown (Lookout! Records) to front his own band with ex-Phgoh drummer Keith Ulrey.
With the line-up complete and the additional songwriting skills of Waksman on board, the goal of the band became apparent...to make music on their own terms and at their own pace. Drawing influences from such mid-90's indie-rock acts as Versus, Seam, Polvo, and Codeine, Zillionaire took their time (a year and a half to be exact) and culminated the debut they set out to make.
In the small town of Thousand Oaks, California- nestled in the shadows of the Santa Monica mountain range, lives
“The Future” was recorded and mixed entirely by R.F. Maston, who also accompanies himself on every instrument. “The Future” stands as solid statement of R.F. Maston’s vision- lyrics steeped in naturalism and the uncertainty of the future, perfectly blended with the sounds of the past.
Wisely, in January 2006 with producer Linus of Hollywood released
After GoMotorCar disbanded in 2004, bassist Roger Apodaca decided to record some songs as a side project. Throughout much of 2004 he recorded his music on his home computer, inviting musicians to lend an ear and take a bit of direction while adding their respective personalities to the individual tracks they would lay down. What started out as a few songs soon grew into an entire album. The project was dubbed
During much of 2006 and the early part of 2007 Apodaca again hit the studio in the same manor as before with his songs and ideas being expanded upon by various guest musicians; many of which have their own respective well known bands. In working on Black Tie's latest release 
Gabriel and Luke were brought together in London N7, via Buenas Aires and Grimsby. Fed up with everything on the radio and a life on the breadline, they found Eel Pie Islander Chris and set off to play songs the likes of which had not been heard since the rug-cutting glory days of Syd Barrett, Los Gatos Salvajes, The Kinks, Thee Milkshakes and many more. With a simple drums, bass and guitar setup they wish to play to anyone who will lend an ear, that they too may vibrate in the mind of the one true God whose name is love; grooving as one to the music of yore.
In 2006 Friska Viljor released their debut album 
Their single 
We're heading for Glasgow, in October, to a noisy bar where everyone had a bit too much to drink, and the band on stage this particular evening, the Scottish band “the Poems” with members from the Bluebells, can’t really get the audience's attention.
Maia Hirasawa has been singing in a million different bands – we most recently recognize her as the backing vocalist and multi instrumentalist in
Narrow and labyrinthic streets which flow into centenary courtyards. That's Coimbra, inspiring city that after fado and blues has now something different to offer to the world.
On their first year of existence, Duarte Feliciano (vocals and guitar), Adílio Sousa (bass) and João Santiago (drums) make their debut, homonymous by right, in a language made of tiny pieces of music, cinema, literature and photography.

In 2003 the Treats released self-titled EP that can be downloaded from their internet site. At September 7th, 2007, the band released it's second album 